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, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the grup.
For the past two years, that genius özgü been put to more practical use – teaching her seven-year-old son Boaz to read, write and do maths during the pandemic. She had him in 2015, with a man she dated for a few months and katışıksız never publicly named.
Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.
“I never told anybody this. I told a couple of friends in my life, but never told a journalist. He said they would buy my [1996] album, What Would the Community Think
One of the best songs on the album is “These Days”, made famous by Nico in the Sixties, but written by Jackson Browne when he was just 16. Such world-weary lyrics for someone so young – “Don’t confront me with my failures / I had not forgotten them” – and Marshall’s voice, bittersweet bey coffee with a shot of syrup, suits that malaise beautifully.
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The singer-songwriter talks to Alexandra Pollard about her ‘f***ing tiger’ of a son, her new covers record, and the fateful day she ended up standing on the edge of a bridge
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[20] The group were booked for a show and had to come up with a name quickly; after seeing a man wearing a Caterpillar trucker cap that read: "Cat Diesel Power", Marshall chose Cat Power birli the name of the band.[3][21]
During the early-2000s, Marshall was embraced by the fashion industry for her "neo grunge" look, and seen as a muse by designers Marc Jacobs and Nicolas Ghesquière.
and consisted of her playing a two-string guitar and singing the word "no" for 15 minutes.[27] Around this time, she met the band God Is My Co-Pilot, who assisted with the release of her first single, "Headlights", in a limited run of 500 copies on their Making of Americans label.
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Now, 20 years on, she’s got a third covers album, the aptly named Covers – a spacey but intimate collection that includes songs catpower 5852 by Nick Cave, Billie Holiday and Frank Ocean, demonstrating once again the transformative power of Marshall’s singing. To have your song covered by her is to have it pared back to its very essence.
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